‘Best Of’ Brings Out The Worst Of…Me

The end of the year, end of the decade, time to compile a list of highs and lows. In past years, I haven’t cared, haven’t really bothered: I’ve read the lists, enjoyed them, agreed and disagreed verbally to printed matter. I don’t know why, this time around, I am so not interested.

I was asked to contribute to a handful of lists this year, picking my top artists, bands, albums, shows, etc. And I had to decline. When the requests came in, I considered them, and realised that the past year has been, well, totally beige. Especially in Canada. With the exception of Metric’s Fansaties and a handful of great songs/ideas from others, what could I remember? What was timeless? I didn’t know. I couldn’t think of anything. Was that my fault? Maybe I was lazy this year. Did I not keep up? No: I’ve been worn down by repetition, the references to the references, the derivativity, the lack of soul, a saturated milieu, churning out music devoid of spirit and purpose.

For example, could someone please explain this to me? It 100% boggles my mind.

Times have changed, I suppose. I’ve changed. I’ve changed quite a bit, and philosophically look at music and the music industry in a hyper-evolved way. In four dimensions. And once you achieve that fourth dimension, everything changes. Perspective is paramount, and there’s no going back to the way things were before.

Or the Battlestar Galactica marathon I’m on has clouded my memory.

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4 thoughts on “‘Best Of’ Brings Out The Worst Of…Me

  1. There have been a few great Canadian records that are generally ignored for whatever reason…
    Like Attack in Black’s 2009 album, Years (By One Thousand Fingertips).

  2. Sort of U2 pop rock meets orchestral marching band.?? The more the merrier???? YUKKKKKK
    No talent disguised behind as much noise as you can get onto the stage?????

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