Pinned Together, Falling Apart

I just read my bandmate’s latest eponymous* instalment of the BENVIE MEMO. In it, he draws comparison between certain moments of The Dears’ No Cities Left to the forthcoming Degeneration Street. He, Benvie, links through to this track from NCL, which I just now finished listening to (you should too, at least before reading on):

Listening to this track was enlightening (revisiting our catalogue is always a stirring reminder of my own history) in that I could recall how our first albums were (and in a way, remain) pretty far out there. I was invogourated by the idea that Degeneration Street is a total return to this: with a twisted message of love, it stomps on the hopes and dreams of the now-commodified vision of indie rock, the vulgar portrait of Dorian Gray today’s music “scenesters” refuse to look at. Yeah, you know who you are.

But I see the change coming. I see the worn-down edges of society. You are ready for something new, for something real, for that thing that reminds you who you are and why you continue.**

* I can use big words too.
** Fuck, I love Morrissey.

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